3rd Series - Sthira Bhaga

padangushtha dhanur-asana
पादाङ्गुष्ठ धनुरासन

pādāṅguṣṭhasubstantive masculine
pādasubstantive masculineaṅguṣṭhasubstantive masculine
große Zehe
dhanussubstantive neuterBogen
āsanasubstantive neuterSitz, Haltung

Mythology: In archery, drawing the bow is only half the art. What matters is whether the power stays within the system without “fraying” outward. That is exactly what the second phase represents: you bring the string closer, control the pull, and gather tension so it does not leak away. In this symbolism, the bow is an image of inner steering: intensity becomes stable when it remains bound. Pādāṅguṣṭha—the big toe as the point of contact—points to precision in the details: one small grip can decide whether the whole form stays coherent. In this way, Pādāṅguṣṭha Dhanurāsana B becomes a picture of guidance: you condense energy without hardening, and you hold it in clear order.

In the traditional count: Begin directly from the previous posture, Pādāṅguṣṭha Dhanurāsana A.

Vinyāsa 6 – Exhalation, 5 breaths:
On the exhalation, bend the knees and elbows and draw the soles of the feet in a controlled way toward the crown of the head. Remain in Pādāṅguṣṭha Dhanurāsana B until the fifth exhalation.

Tip: Build tension by drawing the elbows toward the chest and let the heart space widen even more. Stabilize the front of the neck and the abdomen so the cervical spine and the lower back do not overextend.

Vinyāsa 7 – Inhalation, exhalation:
With the inhalation, straighten arms and legs again as in Pādāṅguṣṭha Dhanurāsana A. At the end of the exhalation, release the grip. Do not let the legs “snap” apart—lower them with control. Create tone along the front of the body and lower into Caturaṅga Daṇḍāsana.

Vinyāsa 8–9:
Follow the movement flow you already know through Ūrdhva Mukha Śvānāsana and Adho Mukha Śvānāsana.

In the traditional count: From here, continue directly into the movement flow of the next posture.

Effect: Compared with A, Pādāṅguṣṭha Dhanurāsana B intensifies the backbend and the opening of the shoulders through the combination of bending the knees and elbows


Fotograf: Richard Pilnick - www.richardpilnick.com

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